Writing: Ways to Describe People

Struggling to make your characters feel vivid and real on the page? Whether you're writing a novel, short story, or screenplay, nailing down how to describe people in a way that shows rather than tells can elevate your work and pull readers deeper into your world. Below is my personal list of ways to describe people beyond the basics of hair and eye color. Use for your own writing and ideas!

Physical Appearance

Don't just list features, but use metaphor, action, and context to reveal character.

  • Facial Features: angular jaw, crooked teeth, dimples that appear when lying, a nose broken too many times

  • Eyes: bloodshot, darting, unreadable, “eyes like stormclouds,” “lashes thick enough to sweep secrets”

  • Body Type: gangly, hunched, barrel-chested, wiry, with movements like a coiled spring

  • Hands: calloused palms, bitten nails, trembling fingers, long fingers like spider legs

  • Gait: loping, limping, dragging, strutting, drifting like they don’t belong to gravity

  • Voice: gravelly, lilting, monotone, sharp as broken glass, warm like sun-drenched stone

Personality Through Behavior

Show who they are by what they do, not what you tell the reader.

  • Nervous habits: tapping fingers, chewing inside cheek, avoiding eye contact

  • Confident gestures: steady gaze, relaxed shoulders, occupying more space than needed

  • Deceptive tells: saying one thing while checking exits, smiling without the eyes

  • Empathetic traits: soft laughter at others’ jokes, remembering small details about someone’s life

  • Aggressive signals: clenched fists, leaning too close, always interrupting

What Others Say About Them

Let other characters (or narrative voice) reveal insights indirectly.

  • “He always shows up late but somehow still gets invited.”

  • “She’s the type to lend a hand and never mention it again.”

  • “No one really knows what he did before he moved here.”

Clothes and Style

Fashion choices say a lot about priorities, identity, and mood.

  • Wears all black but smells like gardenias

  • Shoes scuffed from miles walked, soles duct-taped

  • Wrinkled shirts, one sleeve always rolled

  • Designer clothes, but tags still attached

  • A pinched collar, like it was buttoned by someone else

Setting-Based Description

How the world reacts to them, or how they move through it.

  • People stop talking when she enters a room

  • He ducked through the doorway, not built for modern architecture

  • The crowd parted like water around her

  • He melted into shadows like he belonged there

Internal Contrast

Use juxtaposition to make people memorable.

  • A brutal smile with kind eyes

  • Broad shoulders, but hunched with shame

  • A gentle voice delivering brutal truths

  • Youthful face, eyes like old winter

Quick Exercises to Try

  1. Describe a character in five senses, but avoid using “looks like.”

  2. Show personality through what they carry in their pockets.

  3. Write a description using only dialogue from others.


Don’t overload your first introduction with every detail. Instead, layer in your descriptions as the story unfolds. A reader doesn't need to know everything about a person at once, they just need a hook, a spark of intrigue, something specific that makes the character stick.

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